Good Karma Music present
GKM / BCEE & LSB (SPEARHEAD RECORDS SHOWCASE)
GKM & Chemistry Touring are honoured to present - A Spearhead Records Showcase featuring BCee & LSB
As head of renowned label Spearhead Records, BCee's golden ear has introduced a galaxy of new talent to the world. Artists like SPY, Netsky & Technimatic cut their teeth at the label, rubbing shoulders with scene giants like Danny Byrd and Alix Perez. BCee's love of discovering and developing young, promising artists such as Hybrid Minds, Dexcell and LSB makes him a natural fit with the Clinic ethos.
After starting his DJ career in 1995, BCee fell in love with the sound of musical Drum & Bass. Teaming up with Kubiks, the duo launched Rubik Records in 2002 with their debut production 'Life Changes'. In 2005 he teamed up with Lomax (Loadstar) and together they released more than thirty tracks on labels including Innerground, Fokuz, Nu:Directions and more.
BCee has released over 100 tracks and remixes across 4 studio albums, 2 remix albums and a whole load of singles and EPs. Some of his most notable tracks include: Is Anybody Out There? feat. S.P.Y, Back To The Street feat. Philippa Hanna, Firebox, Come & Join Us, Lost & Found feat. Rocky Nti and Northpoint feat. Riya.
BCee has also remixed tracks by P Money, Camo & Krooked, Jakwob, Blu Mar Ten, Hybrid Minds and a whole lot more.
In 2005 BCee launched Spearhead Records, which rapidly developed from a simple record label into a fully-fledged event brand. Having outgrown Brixton's Plan B and Shoreditch's Village Underground, BCee's 'Spearhead Presents' club events go from strength to strength. Alongside their current residency at the massive five-room EGG:LDN, Spearhead continues to tour the brand both at home and away. With guest appearances at venues like London's Fabric & Prague's Cross Club, boat parties and festival stage takeovers, 'Spearhead Presents' is a force to be reckoned with.
BCee is also one half of prolific duo The Vanguard Project.
LSB's first forays into Drum & Bass came in the early 2000's as the co-promoter of the hugely successful 'Bounce' nights in Norwich. Cutting his teeth behind the decks as one of the resident DJ's, he had already turned his hand to production by the time the team behind Bounce called it a day in 2007. His first productions surfaced on the now defunct imprints Bingo Beats (run by the legendary DJ Zinc) & Deep Soul Music in 2007-08. After a small hiatus spent honing his craft, he returned with fresh music in 2011 and his stock has been rising ever since.
'All Of My Love' / 'Rolling Sideways', released on BCee's Spearhead Records, was the first of this new wave of productions and exhibited his new prowess in the studio and a more expressive, melodic sound that quickly became his trademark. Further releases on Spearhead quickly followed in the shape of the 'Overthinking EP', 'The Hurting' and more, as well as making a choice appearance on Artificial Intelligence's Integral label with the hugely popular 'Rotary Motion' / 'Serendipity' 12" in collaboration with Technicolour & Komatic (now Technimatic of Shogun Audio).
By now, his blend of soulful musicality with dancefloor weight had won him a myriad of fans across the globe. Gigging across the UK and Europe to captivated audiences in 2014, he still found the time to remix 'Serendipity' for Integral, drop 'XLRS' on Shogun Audio as part of their 10 year compilation album as well as feature on Tokyo Prose's hugely popular 'Presence' LP. A remix of London Elektricity's 'Vapour Trails' followed as part of the Hospitality 2015 album before he featured on the sophomore DRS album 'Mid Mic Crisis'.
'The View' was the stand-out track from a stand-out album, with his delicate instrumentation & arrangement perfectly complimenting Tyler Daley's haunting vocals and DRS' insightful lyricism. Having already impressed Soul:r boss Marcus Intalex with his music, a solo EP for the label came in the shape of volume 3 of the popular 'Four:Fit' series. The EP's 4 tracks found their way into the sets of countless A-List Dj's and showed a diversity in style, approach and a confidence gained from the ease with which his music fitted into the discography of one of the most respected labels in D&B.
Now working on follow up projects for Soul:r, producing remixes for some of the biggest labels in bass music, in addition to playing an ever expanding number of DJ dates across the world, the man simply known as Beavon to his friends is assured of his status as one of the brightest up & coming talents in Drum & Bass.
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