Garrett Kato s.hemisphere Tour

Lemon Tree Music & Lonely Lands Agency

Garrett Kato s.hemisphere Tour

8:00pm, Sat 3 October, 2020

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    • GENERAL ADMISSION Sales Close: 8:00pm, Sat 3 Oct, 2020
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Event Details

This event has been rescheduled to 03-Oct-2020. All ticket holders who purchased for the previously scheduled date have been contacted via email with all relevant ticketing information.

The Canadian-born, Australia-based singer-songwriter & producer Garrett Kato creates out of his

Byron Bay home and utilizes his personal studio as an ever-evolving canvas.

Since settling in Australia during 2010, the singer-songwriter quietly went from busking and living

out of a backpack to tallying 33 million worldwide streams and performing sold-out shows alongside

Damien Rice and Ziggy Alberts. He landed syncs in Hollywood blockbusters like Bad Moms as “Take It

Slowly” surpassed 11.8 million Spotify streams. His 2019 EP, Distant Land, earned the endorsement

of Triple J and Beatroute Magazine as the title track eclipsed 2 million Spotify streams. At the same

time, he cemented himself as an in-demand producer, working with the aforementioned Ziggy

Alberts on his 2016 EP Four Feet in the Forest (certified Platinum in Aus) and his 2018 album Laps

Around the Sun (certified Gold in Aus), as well as releases from Kyle Lionheart, Pete Murray, Pierce

Brothers, and more. As he took stock of his journey during 2019, he set about on the next chapter.

Putting together new music, he reflected on where he had been. This process and the space

ultimately gave birth to his 2020 EP release, s. hemisphere – out March 6, 2020.

“I most definitely look at these songs as paintings,” he affirms. “It’s totally a mad scientist situation. I

blend sounds together in order to aesthetically serve the song. The writing, engineering, and

producing are all married. I’ll tinker with a track for two months. I look at it, walk away, and come

back as if I were leaving a painting on a canvas. The chords, melodies, and moods are like images to

me. I don’t use instruments for genre, but rather for frequencies, tones, and cadences. Getting the

chance to see different parts of the world and hear so many stories inspired some of the insights and

colours I wanted to use.”

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