ERIC STECKEL (USA) with special guest STEFAN HAUK Tickets
7:00pm, Thu 12 October, 2017
The Basement, Sydney, NSW
This event has passed and sales are now closed
In an era where pedalboards, laptops and samples have become commonplace, Eric Steckel goes against the grain and harkens his listeners back to the days when great guitars were played loudly through great amps. Hailed by many as the top rising star of Blues/Rock, Eric delivers a powerhouse performance that has left audiences in 22 countries (and counting) mesmerized. He brings an energy and passion to the stage that never disappoints and is a must see for fans of vintage guitar rock.
On Eric's latest studio album, "Black Gold," he takes listeners on a musical roller-coaster ride that embodies the human spirit and captures the emotions of daily life. His most diverse album to date, fans of vintage guitar rock will immediately fall in love with Black Gold. From soft, dynamic Blues ballads to heavy, low-tuned Rock anthems, Eric's signature guitar style is front and center. No pedals, samples or drum machines. No apologies for turning it up to 11. This is rock the way they used to make it.
Few young guitarists can improve on Eric Steckel's impressive resume. Eric's debut CD, "A Few Degrees Warmer", was recorded live in April 2002 when he was just 11 years old. It wasn't long until he appeared at the 2003 Sarasota Blues Festival where Eric's powerful set became the talk of the day. Before the night was over Eric was introduced by British Blues/Rock legend, John Mayall as the youngest guitarist ever on stage with the Bluesbreakers. Eric left a lasting impression on Mayall and, in 2004 Mayall invited Eric to appear in Sweden, Norway and Denmark during The Bluesbreakers' Scandinavian Tour. In early 2005, Eric traveled to Los Angeles where he joined Mayall for session work on the "Road Dogs" record.
Eric then spent the following years filled with marquee festival dates and sold out concert tours in Holland, Germany, Belgium and Italy. He opened for Johnny Winter at The Paradiso in Amsterdam, thrilled audiences at the Tegelen Bluesrock Festival and shared the prime-time bill with Gregg Allman at the legendary Pistoia Blues Festival.
Throughout his teens and young adulthood, Eric released several critically acclaimed live and studio albums. 2006's "Havana" was a hit among Blues guitar lovers and tracks from this album are still featured often on SiriusXM's Bluesville station. 2008's "Feels Like Home" featured the talented Duane Trucks on drums and recalled the 70's southern rock era. Hits from this album such as "The Ghetto" and "Just Walk Away" receive regular airplay to this day. In 2012, after years on the road, Eric entered the studio once again to record a powerful modern Blues record. "Dismantle The Sun" emerged. Last year, Eric embarked on a quest to record a fully transatlantic studio album with some of the finest producers, engineers and musicians he knew. This led to "Black Gold" being recorded in both Nashville, Tennessee and Amsterdam, Netherlands and is Eric's most successful album to date and a fan favorite.
Road-tested and seasoned from 19 years on stage and in the studio, yet young enough to deliver the passion and feeling of the Blues to a wider audience, Eric is a skilled player with a powerful voice and a winning personality.
Eric has been featured in Classic Rock Magazine, Blues Rock Review Magazine, Maxazine, Nightwatcher's House of Rock, The Allentown (PA) Morning Call, The Doylestown (PA) Intelligencer, The Philadelphia Inquirer, The (NY) Times-Herald Record, Music Head Magazine, The Warren (NJ) Reporter Forum, Guitar World Magazine, The Easton (PA) Express, The Bridgewater (NJ) Courier Times, The Sarasota (FL) Herald-Tribune, the Lancaster (PA) Sunday News and The Florida Times Union. International press includes features in the Haagshe Courant, De Telegraaph, BluesMagazine (NL) and a MusikMaker (NL) feature. Eric was also featured in a Comcast CN8 TV News Extra and he has appeared on NBC 10 in Philadelphia, Comcast CN8, Fox Philadelphia, SNN6 in Sarasota and Reuters TV.
Dinner & Show tickets include entry, seating and 2 course meal.
Dinner & Show tickets are only available via Moshtix.
Some Dinner & Show Bookings may be on a shared table. Please let us know at the time of the booking as a special request should you prefer not to share, and subject to availability we'll do our best to accommodate your request. Note it is not possible to join ticket holders together across ticket groups (meaning A Reserve ticket holders cannot sit with B Reserve etc).
DOORS OPEN AT 7.00PM
MUSIC STARTS AFTER DINNER SERVICE, AROUND 8.30PM
SET TIMES ARE SUBJECT TO CHANGE FROM SHOW TO SHOW
PLEASE NOTE THE FOLLOWING:
When General Admission Ticket sales have closed on the day of the show they may still be available at the door on the night.
All patrons must be over the age of 18
Once purchased tickets are non-refundable & non-transferable
(applies to both Standing and Dinner sales)
Please ensure you bring photo ID as proof of age
A booking fee applies to all advance tickets. (All quoted prices include tax).
Dress is Smart/Casual at Manager's discretion. No thongs.
The Basement has very limited accessibility for patrons with disabilities, however please contact the venue to ensure there is adequate availability for you to enjoy the show comfortably and they can advise on the recommended seating options.
RESTAURANT (GREEN ROOM BAR)
RESTAURANT HOURS ARE DEPENDENT ON SHOW
Please call The Basement to confirm opening times - (02) 9251 2797
SEATING MAP FOR DINNER & SHOW BOOKINGS
Please Note: tables cannot be joined together. Please ensure everyone you intend to seat at your table is included in your booking to avoid being seated separately. Unfortunately, Dinner & Show bookings are for a minimum of 2 people.
Specific table reservation is not available for this performance. It is the venue's decision as to which table you will be allocated. Whilst the venue would love to give everyone their preferred seats, it is not always possible. We ask that you respect this decision and enjoy the performance.