Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.

Cain was raised on stories of his father's childhood upbringing on Memphis' Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, "I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats."

At the age of eight, Cain taught himself to play guitar and began playing professionally before he was eighteen. Chris studied music at San Jose City College, and was soon teaching jazz improvisation on campus. Over the next twenty years, Cain would also master piano, bass guitar, clarinet, alto and tenor saxophone. The combination of his blues upbringing and his jazz studies melded to form the searing guitar style that sets Chris Cain apart and has moved him to the top ranks of the blues music scene.

Cain's debut recording, Late Night City Blues (Blue Rock'it Records-1987) garnered four W.C. Handy Blues Award nominations, including Guitarist of the Year." Dan Forte of Guitar Player wrote, "An impressive debut album by a top notch guitarist." Cain's next two releases; "Cuttin Loose" (Blind Pig Records-1990) and "Can't Buy a Break" (Blind Pig Records-1992) collected a long list of awards and accolades. In August of 1995 Blind Pig released "Somewhere Along the Way" his 4th compilation of his unique brand of original music sophisticated blues, funk, jazz and gospel.

In 2003 Patrick Ford produced Chris's latest CD, "Hall Of Shame" (Blue Rock'it Records-2003). "...this is now the sixth Chris Cain solo release I have produced, not to mention his work with me on projects like the Ford Blues Bands' "In Memory Of Michael Bloomfield" CD, and I continue to be in awe of his incredible talent. As a guitarist/singer, Chris has been praised by mentors like Albert King and peers like Robben Ford."

Larry Nager (syndicated Scripts-Howard music critic) writes, "Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, "Hall Of Shame" is a giant step in the development of one of the most compelling young bluesmen on today's scene."

Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, "more than anyone else, anywhere, Chris Cain represents the future of the blues." 

TICKETING INFO

General Admission ticket buyers have an added option of purchasing The Basement's Plate & Glass deal on the following booking page.

The Plate & Glass meal includes one meal option with one glass of selected wine which will be made available at the Green Room Bar from the time doors open through to 10:30pm.

Plate and Glass meal and wine options are listed on the following booking page.

Dinner & Show tickets include entry, seating and 2 course meal.

Dinner & Show tickets are only available via Moshtix.

Some Dinner & Show Bookings may be on a shared table. Please let us know at the time of the booking as a special request should you prefer not to share, and subject to availability we'll do our best to accommodate your request. Note it is not possible to join ticket holders together across ticket groups (meaning A Reserve ticket holders cannot sit with B Reserve etc).

Standard and Premium Beverage Packages are available by exclusive table service to Dinner & Show Ticket Holders for 3 hours from Doors. Beverage packages are available for purchase on the following booking page. *RSA and conditions apply

DOORS OPEN AT 6.30PM
MUSIC STARTS AFTER DINNER SERVICE, AROUND 8.00PM

SET TIMES ARE SUBJECT TO CHANGE FROM SHOW TO SHOW

PLEASE NOTE THE FOLLOWING:
When General Admission Ticket sales have closed on the day of the show they may still be available at the door on the night.

All patrons must be over the age of 18

Once purchased tickets are non-refundable & non-transferable
(applies to both Standing and Dinner sales)

Please ensure you bring photo ID as proof of age

A booking fee applies to all advance tickets. (All quoted prices include tax).

Dress is Smart/Casual at Manager's discretion. No thongs.

ACCESSIBILITY

The Basement has very limited accessibility for patrons with disabilities, however please contact the venue to ensure there is adequate availability for you to enjoy the show comfortably and they can advise on the recommended seating options.

RESTAURANT (GREEN ROOM BAR) 
RESTAURANT HOURS ARE DEPENDENT ON SHOW
Please call The Basement to confirm opening times - (02) 9251 2797

SEATING MAP FOR DINNER & SHOW BOOKINGS
Please Note: tables cannot be joined together. Please ensure everyone you intend to seat at your table is included in your booking to avoid being seated separately. Unfortunately, Dinner & Show bookings are for a minimum of 2 people.

Specific table reservation is not available for this performance. It is the venue's decision as to which table you will be allocated. Whilst the venue would love to give everyone their preferred seats, it is not always possible. We ask that you respect this decision and enjoy the performance.